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Now, I’m a big fan of a jukebox musical – I really am. There’s something undeniably special about the familiarity of the songs and how they’re woven into the storytelling – and truly, no show does it better than Sunny Afternoon, which has rocked its way into The Regent Theatre this half term week.
Returning to the stage after a hugely successful West End run and UK tour, this Olivier Award-winning show brings the story of The Kinks roaring back to life with energy and grit. And I have to admit, while I knew I’d enjoy it, having grown up listening to The Kinks courtesy of my parents, I didn’t expect to love it quite as much as I did.
Set against the backdrop of 1960s Britain, Sunny Afternoon charts the rise of The Kinks from working-class North London lads to one of the most influential bands of the British Invasion. My dad would go so far as to say they were the original ‘mod’ band, with my parents hailing this show as the best they’ve seen (and trust me, they’ve seen a lot).
Danny Horn steps into the role of Ray Davies, and does so brilliantly. His acting is subtle and entirely believable, capturing his musical genius and vulnerability, with his distinct, often spellbinding vocals completely embodying the frontman’s swagger.
Oliver Hoare’s Dave Davies brings a rebellious edge – the ying to Ray’s yang. His chaotic energy and creative tension with his brother portrayed with both humour and emotion. Alongside them, Harry Curley and Zakarie Stokes complete the band as Peter and Mick with a chemistry that feels authentic and effortlessly tight, each with their own challenges within the band as they navigate the cost of success. Lisa Wright as Rasa is also standout, with her warm, emotive presence and beautifully blended harmonies with Ray adding a real tenderness to their relationship on stage.
But where Sunny Afternoon truly shines is – perhaps unsurprisingly – the music, packed with era-defining hits like “You Really Got Me,” “Lola,” and “All Day and All of the Night”. The live performances are electric, often blurring the line between theatre and concert, with moments that have the audience itching to be on their feet.
The production itself boasts a stripped-back aesthetic that suits the story perfectly, allowing the music and performances to take centre stage. Direction by Edward Hall keeps the pacing sharp, while Joe Penhall’s script offers just enough narrative to ground the songs without ever slowing the momentum.
What’s particularly refreshing is that you don’t need to be a die-hard Kinks fan to enjoy it. While those familiar with the band will appreciate the deeper cuts and references, the show stands firmly on its own as an engaging, high-energy piece of theatre.
Ultimately, Sunny Afternoon is less a tribute and more a celebration of a band that helped shape British music, told with passion, authenticity and a fantastic soundtrack that has stood the test of time. Whether you’re there for the nostalgia or simply a great night out, there’s no better way to spend a sunny afternoon.
